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Ce professionnel polyvalent a pour but ultime de créer une bande sonore captivante qui donne vie à chaque scène de l’oeuvre visuelle sur laquelle il travaille. Avec l’essor des plateformes de streaming et la prolifération du contenu en ligne, le rôle du superviseur musical évolue pour répondre aux besoins changeants de l’industrie.\u003C/p>\n\n\n\n\n\u003Ch2 class=\"wp-block-heading\">\u003Cstrong>Le superviseur musical : trait d’union entre le réalisateur et le compositeur\u003C/strong>\u003C/h2>\n\n\n\n\u003Cp>Le superviseur musical incarne le lien entre la musique et le cinéma. Véritable trait d’union entre le son et l’image, il sculpte l’expérience sensorielle du spectateur pour élever le film à une dimension émotionnelle supérieure. Au cœur de l’industrie cinématographique, il déploie une expertise précieuse, collaborant étroitement avec les réalisateurs, producteurs, showrunners, pour tisser une trame sonore pertinente. Côté industrie musicale, il travaille par exemple avec des compositeurs, des librairies musicales ou encore des labels, nous y reviendrons. Son travail va d’ailleurs bien au-delà de la simple sélection de morceaux ; il cherche à élever le récit visuel en le mariant à des compositions musicales qui servent le propos du réalisateur dans une scène. \u003C/p>\n\n\n\n\u003Cp>Le choix musical peut alors servir à :\u003C/p>\n\n\n\n\u003Cul>\n\u003Cli>renforcer l’émotion présente dans une scène. Les compositions de John Williams sot très parlantes en ce sens.\u003C/li>\n\n\n\n\u003Cli>à apporter un propos complémentaire ou supplémentaire : « Stuck in the middle with you » est tout à fait a propos dans la scène de torture de Reservoir Dogs. De même pour « Running Up That Hill » dans une épisode de Stranger Things ou le personnage est face à un défi. \u003C/li>\n\n\n\n\u003Cli>ou encore simplement accompagner la scène pour soutenir l’image de manière plus discrète \u003C/li>\n\u003C/ul>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cstrong>Évolution du Métier et Impact du Streaming\u003C/strong>\u003C/h3>\n\n\n\n\u003Cp>L’avènement des plateformes de streaming a révolutionné la façon dont nous consommons le divertissement. Cette révolution a entraîné une demande sans précédent de contenu audiovisuel, plaçant le superviseur musical au cœur de l’action. Son rôle s’est étendu pour inclure la recherche constante de nouveaux sons et de nouvelles musiques, tout en jonglant avec les aspects pratiques liés aux droits d’auteur et aux licences, dans un écosystème en mutation constante.\u003C/p>\n\n\n\n\u003Cp>Dans une interview avec Pascal Mayer, \u003Ca href=\"https://emic-paris.com/intervenant/pascal-mayer/\">superviseur musical chez Noodles\u003C/a> et intervenant à l’EMIC, il souligne l’importance cruciale d’adapter ses compétences aux évolutions de l’industrie. Il met en avant la nécessité de rester à l’affût des tendances musicales émergentes et des avancées technologiques. Le superviseur musical d’aujourd’hui doit être un véritable caméléon, capable de naviguer habilement à travers les exigences complexes du monde numérique tout en conservant une vision artistique cohérente.\u003C/p>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cstrong>Synchronisation, librairie musicale et oeuvres originales\u003C/strong>\u003C/h3>\n\n\n\n\u003Cp>Le superviseur musical déploie une palette variée de compétences pour répondre aux besoins diversifiés de l’industrie. En outre, selon le projet travaillé, son budget et les besoins artistiques qui lui sont liés, le superviseur musical peut essentiellement avoir recours à trois types de matière musicale :\u003C/p>\n\n\n\n\u003Col>\n\u003Cli>\u003Cstrong>Synchronisation à l’Image :\u003C/strong> la synchronisation à l’image consiste en l’utilisation d’une oeuvre musicale préexistante. Le synchroniseur musical a alors pour rôle non seulement de déterminer le titre qui sera le plus pertinent artistiquement mais également en fonction du budget disponible. Car la synchronisation a un prix, à négocier avec les ayants-droit du titre et leurs gestionnaires de catalogue. \u003C/li>\n\n\n\n\u003Cli>\u003Cstrong>Création de Musique Originale :\u003C/strong> Parfois, le projet exige une composition musicale entièrement originale. Dans ce cas, le superviseur musical collabore étroitement avec des compositeurs pour créer des morceaux sur mesure qui s’harmonisent parfaitement avec l’esthétique du film.\u003C/li>\n\n\n\n\u003Cli>\u003Cstrong>Recours à la Librairie Musicale :\u003C/strong> Pour certains projets, le superviseur musical fait appel à des bibliothèques de musique préexistante, sélectionnant des morceaux qui correspondent à l’ambiance recherchée. Cela peut offrir une solution efficace pour les contraintes de temps et de budget. \u003C/li>\n\u003C/ol>\n\n\n\n\u003Cp>Découvrez \u003Ca href=\"https://emic-paris.com/etudiant/sara-mahouachi/\">le portrait de Sarah\u003C/a>, diplômée EMIC et TV Sales et Music Supervisor chez \u003Ca href=\"https://bmgproductionmusic.com/\">BMG Production Music France\u003C/a>.\u003C/p>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cstrong>Le rôle artistique mais aussi juridique du superviseur musical \u003C/strong>\u003C/h3>\n\n\n\n\u003Cp>Pour avoir le droit d’utiliser ces oeuvres, quelle que soit la méthode utilisée, le superviseur musical a également le rôle de « clearer les droits » des oeuvres utilisées. Lorsqu’il s’agit d’une oeuvre originale ou d’une oeuvre de librairie, le contrat entre l’artiste ou la librairie et la production audiovisuelle se fait selon la négociation entre les deux parties. Dans le cas de la synchronisation, le superviseur musical aura d’abord pour mission de retrouver les ayants-droit de l’oeuvre à utiliser, puis à négocier leur accord pour l’utilisation de leur oeuvre. Dans tous les cas, la négociation et la rémunération pour la durée de musique utilisée porteront essentiellement sur trois critères : la de diffusion de l’oeuvre audiovisuelle, les canaux et formats de diffusion (TV, web, cinéma, VOD etc.) et les territoires concernés. \u003C/p>\n\n\n\n\u003Cp>Ce métier, aux croisement de deux industries et mêlant artistique et juridique, possède donc de nombreuses spécificités qui sont \u003Ca href=\"https://emic-paris.com/formation/\">enseignées aux étudiants EMIC\u003C/a>, passionnés d’Audiovisuel et de Musique .\u003C/p>\n\n\n\n\u003Ch3 class=\"wp-block-heading\">\u003Cstrong>Un impact au delà du récit visuel\u003C/strong>\u003C/h3>\n\n\n\n\u003Cp>Avec l’avènement des plateformes de streaming, le rôle du superviseur musical s’intensifie, exigeant à la fois adaptabilité et créativité.\u003C/p>\n\n\n\n\u003Cp>Des séries comme Stranger Things ou Sex Education ont prouvé que la bande originale d’une oeuvre audiovisuelle peut largement participer à son potentiel culte. En France, le titre « Murder On The Dancefloor » de Sophie Ellis Bextor paru à l’origine en 2001, connait un regain d’intérêt depuis sa synchronisation dans le film « Saltburn », sorti sur Prime Video le 22/12/2023, rentant en 13\u003Csup>e\u003C/sup> position avec 24,3 millions d’écoutes.\u003C/p>\n\n\n\n\u003Cp>Les superviseurs musicaux ont donc un rôle crucial dans le récit mais également dans le positionnement de l’oeuvre sur le très vaste et dense marché audiovisuel aujourd’hui. \u003C/p>\n\n\n\n\u003Cp>\u003C/p>\n",[733,786,792,798,804,830,836,842,848,854,860,884,890,896,902,908,914,920,926,932],{"blockName":734,"attrs":735,"innerBlocks":764,"innerHTML":785},"pan/image-text",{"reversed":95,"image":736,"imageId":737,"imageUrl":740,"imageWidthAttribute":747,"imageHeightAttribute":748},{"ID":737,"title":738,"filename":739,"url":740,"alt":738,"author":65,"description":47,"caption":47,"name":741,"date":742,"modified":743,"mime_type":744,"type":745,"icon":746,"width":747,"height":748,"sizes":749},3550,"superviseur musical","superviseur-musical.jpg","https://api.emic-paris.com/app/uploads/2024/02/superviseur-musical.jpg","superviseur-musical","2024-02-01 16:49:32","2024-02-01 16:49:40","image/jpeg","image","https://api.emic-paris.com/wp/wp-includes/images/media/default.png",1000,807,{"thumbnail":750,"thumbnail-width":751,"thumbnail-height":751,"medium":752,"medium-width":753,"medium-height":754,"medium_large":755,"medium_large-width":756,"medium_large-height":757,"large":740,"large-width":747,"large-height":748,"sample":758,"sample-width":759,"sample-height":760,"default":761,"default-width":762,"default-height":763,"fullwidth":740,"fullwidth-width":747,"fullwidth-height":748},"https://api.emic-paris.com/app/uploads/2024/02/superviseur-musical-150x150.jpg",150,"https://api.emic-paris.com/app/uploads/2024/02/superviseur-musical-300x242.jpg",300,242,"https://api.emic-paris.com/app/uploads/2024/02/superviseur-musical-768x620.jpg",768,620,"https://api.emic-paris.com/app/uploads/2024/02/superviseur-musical-420x339.jpg",420,339,"https://api.emic-paris.com/app/uploads/2024/02/superviseur-musical-960x775.jpg",960,775,[765,772,778],{"blockName":766,"attrs":767,"innerBlocks":770,"innerHTML":771},"core/heading",{"textAlign":47,"content":47,"level":123,"placeholder":47,"lock":768,"align":47,"style":769,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Ch1 class=\"wp-block-heading\">Le métier de superviseur musical\u003C/h1>\n",{"blockName":766,"attrs":773,"innerBlocks":776,"innerHTML":777},{"textAlign":47,"content":47,"level":143,"placeholder":47,"lock":774,"align":47,"style":775,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Ch2 class=\"wp-block-heading\">\u003Cstrong>Le métier de Superviseur Musical : accord parfait entre son et image\u003C/strong>\u003C/h2>\n",{"blockName":779,"attrs":780,"innerBlocks":783,"innerHTML":784},"core/paragraph",{"align":47,"content":47,"dropCap":95,"placeholder":47,"direction":47,"lock":781,"style":782,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cp>Dans l'univers complexe de la production cinématographique, un métier se trouve au croisement de deux industries créatives : celui de superviseur musical. Ce professionnel polyvalent a pour but ultime de créer une bande sonore captivante qui donne vie à chaque scène de l’oeuvre visuelle sur laquelle il travaille. Avec l'essor des plateformes de streaming et la prolifération du contenu en ligne, le rôle du superviseur musical évolue pour répondre aux besoins changeants de l’industrie.\u003C/p>\n","\n\n\n\n\n\n",{"blockName":766,"attrs":787,"innerBlocks":790,"innerHTML":791},{"textAlign":47,"content":47,"level":143,"placeholder":47,"lock":788,"align":47,"style":789,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Ch2 class=\"wp-block-heading\">\u003Cstrong>Le superviseur musical : trait d’union entre le réalisateur et le compositeur\u003C/strong>\u003C/h2>\n",{"blockName":779,"attrs":793,"innerBlocks":796,"innerHTML":797},{"align":47,"content":47,"dropCap":95,"placeholder":47,"direction":47,"lock":794,"style":795,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cp>Le superviseur musical incarne le lien entre la musique et le cinéma. Véritable trait d'union entre le son et l'image, il sculpte l'expérience sensorielle du spectateur pour élever le film à une dimension émotionnelle supérieure. Au cœur de l'industrie cinématographique, il déploie une expertise précieuse, collaborant étroitement avec les réalisateurs, producteurs, showrunners, pour tisser une trame sonore pertinente. Côté industrie musicale, il travaille par exemple avec des compositeurs, des librairies musicales ou encore des labels, nous y reviendrons. Son travail va d’ailleurs bien au-delà de la simple sélection de morceaux ; il cherche à élever le récit visuel en le mariant à des compositions musicales qui servent le propos du réalisateur dans une scène. \u003C/p>\n",{"blockName":779,"attrs":799,"innerBlocks":802,"innerHTML":803},{"align":47,"content":47,"dropCap":95,"placeholder":47,"direction":47,"lock":800,"style":801,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cp>Le choix musical peut alors servir à :\u003C/p>\n",{"blockName":805,"attrs":806,"innerBlocks":809,"innerHTML":829},"core/list",{"ordered":95,"values":47,"type":47,"placeholder":47,"lock":807,"style":808,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[810,817,823],{"blockName":811,"attrs":812,"innerBlocks":815,"innerHTML":816},"core/list-item",{"placeholder":47,"content":47,"lock":813,"className":47,"style":814,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cli>renforcer l’émotion présente dans une scène. Les compositions de John Williams sot très parlantes en ce sens.\u003C/li>\n",{"blockName":811,"attrs":818,"innerBlocks":821,"innerHTML":822},{"placeholder":47,"content":47,"lock":819,"className":47,"style":820,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cli>à apporter un propos complémentaire ou supplémentaire : « Stuck in the middle with you » est tout à fait a propos dans la scène de torture de Reservoir Dogs. De même pour « Running Up That Hill » dans une épisode de Stranger Things ou le personnage est face à un défi. \u003C/li>\n",{"blockName":811,"attrs":824,"innerBlocks":827,"innerHTML":828},{"placeholder":47,"content":47,"lock":825,"className":47,"style":826,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cli>ou encore simplement accompagner la scène pour soutenir l’image de manière plus discrète \u003C/li>\n","\n\u003Cul>\n\u003Cli>renforcer l’émotion présente dans une scène. Les compositions de John Williams sot très parlantes en ce sens.\u003C/li>\n\n\n\n\u003Cli>à apporter un propos complémentaire ou supplémentaire : « Stuck in the middle with you » est tout à fait a propos dans la scène de torture de Reservoir Dogs. De même pour « Running Up That Hill » dans une épisode de Stranger Things ou le personnage est face à un défi. \u003C/li>\n\n\n\n\u003Cli>ou encore simplement accompagner la scène pour soutenir l’image de manière plus discrète \u003C/li>\n\u003C/ul>\n",{"blockName":766,"attrs":831,"innerBlocks":834,"innerHTML":835},{"textAlign":47,"content":47,"level":156,"placeholder":47,"lock":832,"align":47,"style":833,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Ch3 class=\"wp-block-heading\">\u003Cstrong>Évolution du Métier et Impact du Streaming\u003C/strong>\u003C/h3>\n",{"blockName":779,"attrs":837,"innerBlocks":840,"innerHTML":841},{"align":47,"content":47,"dropCap":95,"placeholder":47,"direction":47,"lock":838,"style":839,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cp>L'avènement des plateformes de streaming a révolutionné la façon dont nous consommons le divertissement. Cette révolution a entraîné une demande sans précédent de contenu audiovisuel, plaçant le superviseur musical au cœur de l'action. Son rôle s'est étendu pour inclure la recherche constante de nouveaux sons et de nouvelles musiques, tout en jonglant avec les aspects pratiques liés aux droits d'auteur et aux licences, dans un écosystème en mutation constante.\u003C/p>\n",{"blockName":779,"attrs":843,"innerBlocks":846,"innerHTML":847},{"align":47,"content":47,"dropCap":95,"placeholder":47,"direction":47,"lock":844,"style":845,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cp>Dans une interview avec Pascal Mayer, \u003Ca href=\"https://emic-paris.com/intervenant/pascal-mayer/\">superviseur musical chez Noodles\u003C/a> et intervenant à l’EMIC, il souligne l'importance cruciale d'adapter ses compétences aux évolutions de l'industrie. Il met en avant la nécessité de rester à l'affût des tendances musicales émergentes et des avancées technologiques. Le superviseur musical d'aujourd'hui doit être un véritable caméléon, capable de naviguer habilement à travers les exigences complexes du monde numérique tout en conservant une vision artistique cohérente.\u003C/p>\n",{"blockName":766,"attrs":849,"innerBlocks":852,"innerHTML":853},{"textAlign":47,"content":47,"level":156,"placeholder":47,"lock":850,"align":47,"style":851,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Ch3 class=\"wp-block-heading\">\u003Cstrong>Synchronisation, librairie musicale et oeuvres originales\u003C/strong>\u003C/h3>\n",{"blockName":779,"attrs":855,"innerBlocks":858,"innerHTML":859},{"align":47,"content":47,"dropCap":95,"placeholder":47,"direction":47,"lock":856,"style":857,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cp>Le superviseur musical déploie une palette variée de compétences pour répondre aux besoins diversifiés de l'industrie. En outre, selon le projet travaillé, son budget et les besoins artistiques qui lui sont liés, le superviseur musical peut essentiellement avoir recours à trois types de matière musicale :\u003C/p>\n",{"blockName":805,"attrs":861,"innerBlocks":864,"innerHTML":883},{"ordered":87,"values":47,"type":47,"placeholder":47,"lock":862,"style":863,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[865,871,877],{"blockName":811,"attrs":866,"innerBlocks":869,"innerHTML":870},{"placeholder":47,"content":47,"lock":867,"className":47,"style":868,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cli>\u003Cstrong>Synchronisation à l'Image :\u003C/strong> la synchronisation à l’image consiste en l’utilisation d’une oeuvre musicale préexistante. Le synchroniseur musical a alors pour rôle non seulement de déterminer le titre qui sera le plus pertinent artistiquement mais également en fonction du budget disponible. Car la synchronisation a un prix, à négocier avec les ayants-droit du titre et leurs gestionnaires de catalogue. \u003C/li>\n",{"blockName":811,"attrs":872,"innerBlocks":875,"innerHTML":876},{"placeholder":47,"content":47,"lock":873,"className":47,"style":874,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cli>\u003Cstrong>Création de Musique Originale :\u003C/strong> Parfois, le projet exige une composition musicale entièrement originale. Dans ce cas, le superviseur musical collabore étroitement avec des compositeurs pour créer des morceaux sur mesure qui s'harmonisent parfaitement avec l'esthétique du film.\u003C/li>\n",{"blockName":811,"attrs":878,"innerBlocks":881,"innerHTML":882},{"placeholder":47,"content":47,"lock":879,"className":47,"style":880,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cli>\u003Cstrong>Recours à la Librairie Musicale :\u003C/strong> Pour certains projets, le superviseur musical fait appel à des bibliothèques de musique préexistante, sélectionnant des morceaux qui correspondent à l'ambiance recherchée. Cela peut offrir une solution efficace pour les contraintes de temps et de budget. \u003C/li>\n","\n\u003Col>\n\u003Cli>\u003Cstrong>Synchronisation à l'Image :\u003C/strong> la synchronisation à l’image consiste en l’utilisation d’une oeuvre musicale préexistante. Le synchroniseur musical a alors pour rôle non seulement de déterminer le titre qui sera le plus pertinent artistiquement mais également en fonction du budget disponible. Car la synchronisation a un prix, à négocier avec les ayants-droit du titre et leurs gestionnaires de catalogue. \u003C/li>\n\n\n\n\u003Cli>\u003Cstrong>Création de Musique Originale :\u003C/strong> Parfois, le projet exige une composition musicale entièrement originale. Dans ce cas, le superviseur musical collabore étroitement avec des compositeurs pour créer des morceaux sur mesure qui s'harmonisent parfaitement avec l'esthétique du film.\u003C/li>\n\n\n\n\u003Cli>\u003Cstrong>Recours à la Librairie Musicale :\u003C/strong> Pour certains projets, le superviseur musical fait appel à des bibliothèques de musique préexistante, sélectionnant des morceaux qui correspondent à l'ambiance recherchée. Cela peut offrir une solution efficace pour les contraintes de temps et de budget. \u003C/li>\n\u003C/ol>\n",{"blockName":779,"attrs":885,"innerBlocks":888,"innerHTML":889},{"align":47,"content":47,"dropCap":95,"placeholder":47,"direction":47,"lock":886,"style":887,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cp>Découvrez \u003Ca href=\"https://emic-paris.com/etudiant/sara-mahouachi/\">le portrait de Sarah\u003C/a>, diplômée EMIC et TV Sales et Music Supervisor chez \u003Ca href=\"https://bmgproductionmusic.com/\">BMG Production Music France\u003C/a>.\u003C/p>\n",{"blockName":766,"attrs":891,"innerBlocks":894,"innerHTML":895},{"textAlign":47,"content":47,"level":156,"placeholder":47,"lock":892,"align":47,"style":893,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Ch3 class=\"wp-block-heading\">\u003Cstrong>Le rôle artistique mais aussi juridique du superviseur musical \u003C/strong>\u003C/h3>\n",{"blockName":779,"attrs":897,"innerBlocks":900,"innerHTML":901},{"align":47,"content":47,"dropCap":95,"placeholder":47,"direction":47,"lock":898,"style":899,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cp>Pour avoir le droit d’utiliser ces oeuvres, quelle que soit la méthode utilisée, le superviseur musical a également le rôle de « clearer les droits » des oeuvres utilisées. Lorsqu’il s’agit d’une oeuvre originale ou d’une oeuvre de librairie, le contrat entre l’artiste ou la librairie et la production audiovisuelle se fait selon la négociation entre les deux parties. Dans le cas de la synchronisation, le superviseur musical aura d’abord pour mission de retrouver les ayants-droit de l’oeuvre à utiliser, puis à négocier leur accord pour l’utilisation de leur oeuvre. Dans tous les cas, la négociation et la rémunération pour la durée de musique utilisée porteront essentiellement sur trois critères : la de diffusion de l’oeuvre audiovisuelle, les canaux et formats de diffusion (TV, web, cinéma, VOD etc.) et les territoires concernés. \u003C/p>\n",{"blockName":779,"attrs":903,"innerBlocks":906,"innerHTML":907},{"align":47,"content":47,"dropCap":95,"placeholder":47,"direction":47,"lock":904,"style":905,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cp>Ce métier, aux croisement de deux industries et mêlant artistique et juridique, possède donc de nombreuses spécificités qui sont \u003Ca href=\"https://emic-paris.com/formation/\">enseignées aux étudiants EMIC\u003C/a>, passionnés d’Audiovisuel et de Musique .\u003C/p>\n",{"blockName":766,"attrs":909,"innerBlocks":912,"innerHTML":913},{"textAlign":47,"content":47,"level":156,"placeholder":47,"lock":910,"align":47,"style":911,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Ch3 class=\"wp-block-heading\">\u003Cstrong>Un impact au delà du récit visuel\u003C/strong>\u003C/h3>\n",{"blockName":779,"attrs":915,"innerBlocks":918,"innerHTML":919},{"align":47,"content":47,"dropCap":95,"placeholder":47,"direction":47,"lock":916,"style":917,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cp>Avec l'avènement des plateformes de streaming, le rôle du superviseur musical s'intensifie, exigeant à la fois adaptabilité et créativité.\u003C/p>\n",{"blockName":779,"attrs":921,"innerBlocks":924,"innerHTML":925},{"align":47,"content":47,"dropCap":95,"placeholder":47,"direction":47,"lock":922,"style":923,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cp>Des séries comme Stranger Things ou Sex Education ont prouvé que la bande originale d’une oeuvre audiovisuelle peut largement participer à son potentiel culte. En France, le titre « Murder On The Dancefloor » de Sophie Ellis Bextor paru à l’origine en 2001, connait un regain d’intérêt depuis sa synchronisation dans le film « Saltburn », sorti sur Prime Video le 22/12/2023, rentant en 13\u003Csup>e\u003C/sup> position avec 24,3 millions d’écoutes.\u003C/p>\n",{"blockName":779,"attrs":927,"innerBlocks":930,"innerHTML":931},{"align":47,"content":47,"dropCap":95,"placeholder":47,"direction":47,"lock":928,"style":929,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cp>Les superviseurs musicaux ont donc un rôle crucial dans le récit mais également dans le positionnement de l’oeuvre sur le très vaste et dense marché audiovisuel aujourd’hui. \u003C/p>\n",{"blockName":779,"attrs":933,"innerBlocks":936,"innerHTML":937},{"align":47,"content":47,"dropCap":95,"placeholder":47,"direction":47,"lock":934,"style":935,"backgroundColor":47,"textColor":47,"gradient":47,"className":47,"fontSize":47,"fontFamily":47},{},{},[],"\n\u003Cp>\u003C/p>\n",[],{"title":940,"description":941,"robots":942,"canonical":948,"og_locale":949,"og_type":950,"og_title":940,"og_description":941,"og_url":948,"og_site_name":951,"article_publisher":37,"article_published_time":952,"article_modified_time":953,"og_image":954,"author":956,"twitter_card":957,"twitter_creator":958,"twitter_site":958,"twitter_misc":959,"schema":961},"Superviseur musical : un métier clé de la musique à l'image | EMIC","Le superviseur musical choisit les musiques des films, séries et pubs. 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Tous les aspects du \u003Cstrong>management\u003C/strong>, du \u003Cstrong>marketing\u003C/strong>, du \u003Cstrong>droit\u003C/strong> et de la\u003Cstrong> gestion de projets\u003C/strong> sont enseignés. La formation est complétée par un module spécifique de \u003Cstrong>découverte des industries créatives\u003C/strong> et d’une \u003Cstrong>première expérience professionnelle\u003C/strong> de 6 mois dans ce secteur (stage obligatoire).\u003C/span>\u003C/p>\n",{"title":1069,"description":1070},"Cette formation vous intéresse ? ","\u003Cp>Téléchargez notre brochure ou notre dossier de candidature concernant la formation “EMIC 1re année”.\u003Cbr />\nSi vous avez déjà un BAC+3, \u003Ca href=\"https://emic-paris.com/formation/\">découvrez nos autres formations\u003C/a>.\u003C/p>\n",{"id":373,"name":292,"taxonomy":1072,"url":1073,"alt_name":1074},"training_type","https://emic-paris.com/?training_type=prepa-emic","EMIC\u003Cbr />\r\n1\u003Csup>re\u003C/sup> année",{"title":306,"url":305,"image":1076,"alt_title":1093,"theme_color":1055,"prerequisite":1094,"duration":1095,"diploma":1096,"pace":1059,"school_start":1097,"hero":1098,"banner":1105,"application_url":12,"documentation_url":14,"training_type":1107,"id":309},{"ID":1077,"title":1078,"filename":1079,"url":1080,"alt":1081,"author":65,"description":47,"caption":47,"name":1082,"date":1083,"modified":1084,"mime_type":744,"type":745,"icon":746,"width":1038,"height":1039,"sizes":1085},16939,"Master-1-manager-des-industries-creatives-scaled","Master-1-manager-des-industries-creatives-scaled-1.jpg","https://api.emic-paris.com/app/uploads/2023/07/Master-1-manager-des-industries-creatives-scaled-1.jpg","manager-des-industries-creatives master","master-1-manager-des-industries-creatives-scaled","2026-06-10 15:11:23","2026-06-10 15:11:38",{"thumbnail":1086,"thumbnail-width":751,"thumbnail-height":751,"medium":1087,"medium-width":753,"medium-height":1043,"medium_large":1088,"medium_large-width":756,"medium_large-height":112,"large":1089,"large-width":1046,"large-height":1047,"sample":1090,"sample-width":759,"sample-height":1049,"default":1091,"default-width":762,"default-height":1051,"fullwidth":1092,"fullwidth-width":10,"fullwidth-height":1053},"https://api.emic-paris.com/app/uploads/2023/07/Master-1-manager-des-industries-creatives-scaled-1-150x150.jpg","https://api.emic-paris.com/app/uploads/2023/07/Master-1-manager-des-industries-creatives-scaled-1-300x200.jpg","https://api.emic-paris.com/app/uploads/2023/07/Master-1-manager-des-industries-creatives-scaled-1-768x511.jpg","https://api.emic-paris.com/app/uploads/2023/07/Master-1-manager-des-industries-creatives-scaled-1-1400x931.jpg","https://api.emic-paris.com/app/uploads/2023/07/Master-1-manager-des-industries-creatives-scaled-1-420x279.jpg","https://api.emic-paris.com/app/uploads/2023/07/Master-1-manager-des-industries-creatives-scaled-1-960x639.jpg","https://api.emic-paris.com/app/uploads/2023/07/Master-1-manager-des-industries-creatives-scaled-1-2048x1362.jpg","Industries 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année",{"title":1111,"url":319,"image":1112,"alt_title":1130,"theme_color":1131,"prerequisite":1132,"duration":1133,"diploma":1134,"pace":1135,"school_start":1136,"hero":1137,"banner":1143,"application_url":12,"documentation_url":14,"training_type":1145,"id":323},"Manager des Industries Audiovisuelles",{"ID":1113,"title":1114,"filename":1115,"url":1116,"alt":1114,"author":65,"description":47,"caption":47,"name":1117,"date":1118,"modified":1119,"mime_type":1037,"type":745,"icon":746,"width":1120,"height":747,"sizes":1121},16940,"master-2-manager-des-industries-audiovisuelles","master-2-manager-des-industries-audiovisuelles.webp","https://api.emic-paris.com/app/uploads/2023/07/master-2-manager-des-industries-audiovisuelles.webp","master-2-manager-des-industries-audiovisuelles-2","2026-06-10 15:13:27","2026-06-10 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15:14:48",{"thumbnail":1160,"thumbnail-width":751,"thumbnail-height":751,"medium":1161,"medium-width":753,"medium-height":1124,"medium_large":1162,"medium_large-width":756,"medium_large-height":1126,"large":1155,"large-width":1120,"large-height":747,"sample":1163,"sample-width":759,"sample-height":312,"default":1164,"default-width":762,"default-height":1129,"fullwidth":1155,"fullwidth-width":1120,"fullwidth-height":747},"https://api.emic-paris.com/app/uploads/2023/08/master-2-manager-des-industries-musicales-150x150.webp","https://api.emic-paris.com/app/uploads/2023/08/master-2-manager-des-industries-musicales-300x250.webp","https://api.emic-paris.com/app/uploads/2023/08/master-2-manager-des-industries-musicales-768x640.webp","https://api.emic-paris.com/app/uploads/2023/08/master-2-manager-des-industries-musicales-420x350.webp","https://api.emic-paris.com/app/uploads/2023/08/master-2-manager-des-industries-musicales-960x800.webp","orange","Alternance : 4j entreprise / 1j cours","20 septembre 2027",{"image":1169,"description":1173},{"ID":1152,"id":1152,"title":1153,"filename":1154,"filesize":1170,"url":1155,"link":1171,"alt":1153,"author":65,"description":47,"caption":47,"name":1156,"status":67,"uploaded_to":337,"date":1157,"modified":1158,"menu_order":68,"mime_type":1037,"type":745,"subtype":1065,"icon":746,"width":1120,"height":747,"sizes":1172},76280,"https://emic-paris.com/formation/mba-manager-des-industries-musicales/master-2-manager-des-industries-musicales-2/",{"thumbnail":1160,"thumbnail-width":751,"thumbnail-height":751,"medium":1161,"medium-width":753,"medium-height":1124,"medium_large":1162,"medium_large-width":756,"medium_large-height":1126,"large":1155,"large-width":1120,"large-height":747,"sample":1163,"sample-width":759,"sample-height":312,"default":1164,"default-width":762,"default-height":1129,"fullwidth":1155,"fullwidth-width":1120,"fullwidth-height":747},"\u003Cp>\u003Cspan data-metadata=\"<!--(figmeta)eyJmaWxlS2V5IjoiN0FGbzN6ZVNWVmtsdlFrWk81R0dUTCIsInBhc3RlSUQiOjIwODI2MTMyOTksImRhdGFUeXBlIjoic2NlbmUifQo=(/figmeta)-->\">\u003C/span>Formation opérationnelle, en \u003Cstrong>alternance\u003C/strong>, aux métiers de la \u003Cstrong>production musicale\u003C/strong>, accompagnement et développement d’artiste, \u003Cstrong>label de musique\u003C/strong>, production d’artiste, \u003Cstrong>édition musicale\u003C/strong>, manager d’artiste…\u003C/p>\n",{"title":1069,"description":1175},"\u003Cp>Téléchargez notre brochure ou notre dossier de candidature concernant la formation “Manager des Industries Musicales”.\u003Cbr />\nSi vous n’avez pas de BAC+4, \u003Ca href=\"https://emic-paris.com/formation/\">découvrez nos autres formations\u003C/a>.\u003C/p>\n",{"id":303,"name":1177,"taxonomy":1072,"url":1178,"alt_name":1148},"EMIC 3e année Musique","https://emic-paris.com/?training_type=mba-2eme-annee-musique",{"title":1180,"url":347,"image":1181,"alt_title":1197,"theme_color":1198,"prerequisite":1132,"duration":1133,"diploma":1134,"pace":1199,"school_start":1200,"hero":1201,"banner":1207,"application_url":12,"documentation_url":14,"training_type":1210,"id":350},"Manager des Industries Musicales et du Spectacle Vivant - option Spectacle Vivant",{"ID":1182,"title":1183,"filename":1184,"url":1185,"alt":1183,"author":65,"description":47,"caption":47,"name":1186,"date":1187,"modified":1188,"mime_type":1037,"type":745,"icon":746,"width":1189,"height":747,"sizes":1190},16942,"master-2-manager-des-industries-spectacle-vivant","master-2-manager-des-industries-spectacle-vivant.webp","https://api.emic-paris.com/app/uploads/2023/07/master-2-manager-des-industries-spectacle-vivant.webp","master-2-manager-des-industries-spectacle-vivant-2","2026-06-10 15:15:50","2026-06-10 15:15:55",1201,{"thumbnail":1191,"thumbnail-width":751,"thumbnail-height":751,"medium":1192,"medium-width":753,"medium-height":1124,"medium_large":1193,"medium_large-width":756,"medium_large-height":1051,"large":1185,"large-width":1189,"large-height":747,"sample":1194,"sample-width":759,"sample-height":312,"default":1195,"default-width":762,"default-height":1196,"fullwidth":1185,"fullwidth-width":1189,"fullwidth-height":747},"https://api.emic-paris.com/app/uploads/2023/07/master-2-manager-des-industries-spectacle-vivant-150x150.webp","https://api.emic-paris.com/app/uploads/2023/07/master-2-manager-des-industries-spectacle-vivant-300x250.webp","https://api.emic-paris.com/app/uploads/2023/07/master-2-manager-des-industries-spectacle-vivant-768x639.webp","https://api.emic-paris.com/app/uploads/2023/07/master-2-manager-des-industries-spectacle-vivant-420x350.webp","https://api.emic-paris.com/app/uploads/2023/07/master-2-manager-des-industries-spectacle-vivant-960x799.webp",799,"Spectacle Vivant","yellow","Alternance 4j entreprise / 1j cours","27 septembre 2027",{"image":1202,"description":1206},{"ID":1182,"id":1182,"title":1183,"filename":1184,"filesize":1203,"url":1185,"link":1204,"alt":1183,"author":65,"description":47,"caption":47,"name":1186,"status":67,"uploaded_to":350,"date":1187,"modified":1188,"menu_order":68,"mime_type":1037,"type":745,"subtype":1065,"icon":746,"width":1189,"height":747,"sizes":1205},74254,"https://emic-paris.com/formation/mba-manager-des-industries-musicales-spe-live/master-2-manager-des-industries-spectacle-vivant-2/",{"thumbnail":1191,"thumbnail-width":751,"thumbnail-height":751,"medium":1192,"medium-width":753,"medium-height":1124,"medium_large":1193,"medium_large-width":756,"medium_large-height":1051,"large":1185,"large-width":1189,"large-height":747,"sample":1194,"sample-width":759,"sample-height":312,"default":1195,"default-width":762,"default-height":1196,"fullwidth":1185,"fullwidth-width":1189,"fullwidth-height":747},"\u003Cp>La 3e année de l’EMIC, option Spectacle Vivant, est une formation au management du spectacle vivant en alternance, accessible après un Bac+4. Elle prépare aux métiers de la production, de la diffusion, de la commercialisation et de la promotion de spectacles musicaux, en salles, théâtres, Zéniths, arenas et festivals, qu’ils soient privés, publics ou hybrides.\u003C/p>\n",{"title":1208,"description":1209},"Intégrer la formation spectacle vivant après un Bac+4","\u003Cp>L’admission en 3e année option Spectacle Vivant est ouverte aux titulaires d’un \u003Cstrong>Bac+4 (Master 1)\u003C/strong>, sur dossier et entretien.\u003C/p>\n\u003Cp>Si vous n’avez pas de Bac+4, \u003Ca href=\"https://emic-paris.com/formation/\">découvrez nos autres formations\u003C/a> , notamment la \u003Ca href=\"https://emic-paris.com/formation/management-des-industries-creatives/\">2e année en management des industries culturelles et créatives\u003C/a>, qui prépare l’entrée en 3e année.\u003C/p>\n\u003Cp>\u003Ca href=\"https://emic-paris.com/brochure/\">Télécharger la brochure\u003C/a> · \u003Ca href=\"https://emic-paris.com/candidature/\">Dossier de candidature\u003C/a>\u003C/p>\n",{"id":317,"name":1211,"taxonomy":1072,"url":1212,"alt_name":1148},"EMIC 3e année Spectacle Vivant","https://emic-paris.com/?training_type=mba-2eme-live",{"title":1214,"url":361,"image":1215,"alt_title":1237,"theme_color":1198,"prerequisite":1238,"duration":1239,"diploma":1240,"pace":1241,"school_start":1136,"hero":1242,"banner":1249,"application_url":12,"documentation_url":14,"training_type":1252,"id":364},"Régisseur(se) de production de spectacles et d'événements musicaux",{"ID":1216,"title":1217,"filename":1218,"url":1219,"alt":1217,"author":65,"description":47,"caption":47,"name":1220,"date":1221,"modified":1222,"mime_type":1223,"type":745,"icon":746,"width":1224,"height":756,"sizes":1225},18265,"Formation_regisseur","Formation_regisseur.png","https://api.emic-paris.com/app/uploads/2026/10/Formation_regisseur.png","formation_regisseur","2026-10-07 12:55:39","2026-10-14 09:55:52","image/png",1408,{"thumbnail":1226,"thumbnail-width":751,"thumbnail-height":751,"medium":1227,"medium-width":753,"medium-height":1228,"medium_large":1229,"medium_large-width":756,"medium_large-height":1230,"large":1231,"large-width":1046,"large-height":1232,"sample":1233,"sample-width":759,"sample-height":1234,"default":1235,"default-width":762,"default-height":1236,"fullwidth":1219,"fullwidth-width":1224,"fullwidth-height":756},"https://api.emic-paris.com/app/uploads/2026/10/Formation_regisseur-150x150.png","https://api.emic-paris.com/app/uploads/2026/10/Formation_regisseur-300x164.png",164,"https://api.emic-paris.com/app/uploads/2026/10/Formation_regisseur-768x419.png",419,"https://api.emic-paris.com/app/uploads/2026/10/Formation_regisseur-1400x764.png",764,"https://api.emic-paris.com/app/uploads/2026/10/Formation_regisseur-420x229.png",229,"https://api.emic-paris.com/app/uploads/2026/10/Formation_regisseur-960x524.png",524,"Régisseur du spectacle vivant","Bac+2 ou diplôme de niveau 5","1 an (12 mois)","Titre RNCP de niveau 6","Alternance ou stage (voir calendrier)",{"image":1243,"description":1248},{"ID":1216,"id":1216,"title":1217,"filename":1218,"filesize":1244,"url":1219,"link":1245,"alt":1217,"author":65,"description":47,"caption":47,"name":1220,"status":67,"uploaded_to":364,"date":1221,"modified":1222,"menu_order":68,"mime_type":1223,"type":745,"subtype":1246,"icon":746,"width":1224,"height":756,"sizes":1247},1753222,"https://emic-paris.com/formation/formation-regisseur/formation_regisseur/","png",{"thumbnail":1226,"thumbnail-width":751,"thumbnail-height":751,"medium":1227,"medium-width":753,"medium-height":1228,"medium_large":1229,"medium_large-width":756,"medium_large-height":1230,"large":1231,"large-width":1046,"large-height":1232,"sample":1233,"sample-width":759,"sample-height":1234,"default":1235,"default-width":762,"default-height":1236,"fullwidth":1219,"fullwidth-width":1224,"fullwidth-height":756},"\u003Cp>La formation Régisseur du spectacle vivant est une formation de 12 mois en alternance, accessible après un Bac+2 et est également ouverte aux personnes en reconversion. Opérationnelle et technique, elle forme aux métiers de la régie de spectacles musicaux (salles, théâtres, Zéniths, arenas et festivals, privés, publics ou hybrides) ainsi qu’à la régie d’artiste chez un producteur de spectacles. Elle est conçue en partenariat avec les Formations d’Issoudun.\u003C/p>\n",{"title":1250,"description":1251},"Cette formation vous intéresse ?","\u003Cp>La formation Régisseur du spectacle vivant est accessible aux titulaires d’un \u003Cstrong>Bac+2\u003C/strong>. Elle est également ouverte aux personnes en reconversion, dans le cadre de la formation professionnelle.\u003C/p>\n",{"id":413,"name":1253,"taxonomy":1072,"url":1254,"alt_name":1255},"Formation Régisseur","https://emic-paris.com/?training_type=formation-regisseur","Régisseur",{"title":1257,"url":375,"image":1258,"alt_title":1274,"theme_color":1275,"prerequisite":1276,"duration":1277,"diploma":1278,"pace":1279,"school_start":1280,"hero":1281,"banner":1287,"application_url":86,"documentation_url":14,"training_type":1290,"id":379},"Réussir son projet entrepreneurial de management d’artiste dans le secteur musical",{"ID":1259,"title":1260,"filename":1261,"url":1262,"alt":1263,"author":65,"description":47,"caption":47,"name":1264,"date":1265,"modified":1266,"mime_type":1037,"type":745,"icon":746,"width":1224,"height":756,"sizes":1267},16943,"manager_studio_artiste","manager_studio_artiste.webp","https://api.emic-paris.com/app/uploads/2024/03/manager_studio_artiste.webp","formation manager d'artiste","manager_studio_artiste-2","2026-06-10 15:18:18","2026-06-10 15:18:31",{"thumbnail":1268,"thumbnail-width":751,"thumbnail-height":751,"medium":1269,"medium-width":753,"medium-height":1228,"medium_large":1270,"medium_large-width":756,"medium_large-height":1230,"large":1271,"large-width":1046,"large-height":1232,"sample":1272,"sample-width":759,"sample-height":1234,"default":1273,"default-width":762,"default-height":1236,"fullwidth":1262,"fullwidth-width":1224,"fullwidth-height":756},"https://api.emic-paris.com/app/uploads/2024/03/manager_studio_artiste-150x150.webp","https://api.emic-paris.com/app/uploads/2024/03/manager_studio_artiste-300x164.webp","https://api.emic-paris.com/app/uploads/2024/03/manager_studio_artiste-768x419.webp","https://api.emic-paris.com/app/uploads/2024/03/manager_studio_artiste-1400x764.webp","https://api.emic-paris.com/app/uploads/2024/03/manager_studio_artiste-420x229.webp","https://api.emic-paris.com/app/uploads/2024/03/manager_studio_artiste-960x524.webp","Management d'Artiste","black","Bac","10 jours","Certification RS7066 (Répertoire spécifique)","Temps plein","22 février 2027",{"image":1282,"description":1286},{"ID":1259,"id":1259,"title":1260,"filename":1261,"filesize":1283,"url":1262,"link":1284,"alt":1263,"author":65,"description":47,"caption":47,"name":1264,"status":67,"uploaded_to":379,"date":1265,"modified":1266,"menu_order":68,"mime_type":1037,"type":745,"subtype":1065,"icon":746,"width":1224,"height":756,"sizes":1285},145210,"https://emic-paris.com/formation/csma/manager_studio_artiste-2/",{"thumbnail":1268,"thumbnail-width":751,"thumbnail-height":751,"medium":1269,"medium-width":753,"medium-height":1228,"medium_large":1270,"medium_large-width":756,"medium_large-height":1230,"large":1271,"large-width":1046,"large-height":1232,"sample":1272,"sample-width":759,"sample-height":1234,"default":1273,"default-width":762,"default-height":1236,"fullwidth":1262,"fullwidth-width":1224,"fullwidth-height":756},"\u003Cp>\u003Cspan style=\"font-weight: 400;\">Pour répondre aux enjeux de professionnalisation du management d’artistes, EMIC propose, en collaboration avec l’UMAN (Union des Manageuses et Managers de la Musique), une formation intensive de deux semaines dédiée aux porteur·euses de projets dans les musiques actuelles.\u003C/span>\u003C/p>\n\u003Cp>\u003Cstrong>Eligible CPF. Date de la prochaine session : du 22 février au 5 mars 2027\u003C/strong>\u003C/p>\n\u003Cp>\u003C!-- notionvc: b177b7a2-656a-4ef7-9e54-6bfc3027d359 -->\u003C/p>\n",{"title":1288,"description":1289},"Cette formation courte vous intéresse ?","\u003Cp>Pour s’inscrire à la formation courte, \u003Ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSfoeVfjasFCNdh9rKLOUHEgOaCudM2lftBEzRtXd4ZtIJozJw/viewform?usp=header\">merci de remplir ce formulaire\u003C/a> (\u003Cstrong>avant le 20 janvier 2027\u003C/strong>) qui vous demandera :\u003C/p>\n\u003Cul>\n\u003Cli>\u003Cspan>Nom, prénom\u003C/span>\u003C/li>\n\u003Cli>\u003Cspan>Email\u003C/span>\u003C/li>\n\u003Cli>\u003Cspan>Téléphone\u003C/span>\u003C/li>\n\u003Cli>\u003Cspan>CV\u003C/span>\u003C/li>\n\u003Cli>\u003Cspan>Lettre de motivation\u003C/span>\u003C/li>\n\u003C/ul>\n\u003Cp>\u003Cspan>Vous avez des questions ? Ecrivez à \u003Ca href=\"mailto:formation-csma@emicparis.com\">formation-csma@emicparis.com\u003C/a>\u003C/span>\u003C/p>\n",{"id":400,"name":1291,"taxonomy":1072,"url":1292,"alt_name":47},"Formation Courte","https://emic-paris.com/?training_type=projet-entrepreneurial-de-management-dartiste",{"count":209,"limit":331,"page":123,"max_num_pages":123},{"title":729,"date":1295,"url":948,"image":1296,"categories":1298,"id":726},"2024-02-22",{"ID":737,"title":738,"filename":739,"url":740,"alt":738,"author":65,"description":47,"caption":47,"name":741,"date":742,"modified":743,"mime_type":744,"type":745,"icon":746,"width":747,"height":748,"sizes":1297},{"thumbnail":750,"thumbnail-width":751,"thumbnail-height":751,"medium":752,"medium-width":753,"medium-height":754,"medium_large":755,"medium_large-width":756,"medium_large-height":757,"large":740,"large-width":747,"large-height":748,"sample":758,"sample-width":759,"sample-height":760,"default":761,"default-width":762,"default-height":763,"fullwidth":740,"fullwidth-width":747,"fullwidth-height":748},[1299],{"id":221,"name":975,"taxonomy":1300,"url":1301},"category","https://emic-paris.com/actualites/category/musique/",[1303,1329,1362,1393],{"title":1304,"date":1305,"url":1306,"image":1307,"categories":1326,"id":1328},"Marché de la musique enregistrée en France","2026-03-24","https://emic-paris.com/actualites/marche-de-la-musique-enregistree-en-france/",{"ID":1308,"title":1309,"filename":1310,"url":1311,"alt":1309,"author":65,"description":47,"caption":47,"name":1312,"date":1313,"modified":1314,"mime_type":1223,"type":745,"icon":746,"width":1315,"height":1316,"sizes":1317},15358,"SNEP2025","SNEP2025.png","https://api.emic-paris.com/app/uploads/2026/03/SNEP2025.png","snep2025","2026-03-19 09:56:06","2026-03-19 09:56:12",1332,1066,{"thumbnail":1318,"thumbnail-width":751,"thumbnail-height":751,"medium":1319,"medium-width":753,"medium-height":1320,"medium_large":1321,"medium_large-width":756,"medium_large-height":1322,"large":1311,"large-width":1315,"large-height":1316,"sample":1323,"sample-width":759,"sample-height":1324,"default":1325,"default-width":762,"default-height":756,"fullwidth":1311,"fullwidth-width":1315,"fullwidth-height":1316},"https://api.emic-paris.com/app/uploads/2026/03/SNEP2025-150x150.png","https://api.emic-paris.com/app/uploads/2026/03/SNEP2025-300x240.png",240,"https://api.emic-paris.com/app/uploads/2026/03/SNEP2025-768x615.png",615,"https://api.emic-paris.com/app/uploads/2026/03/SNEP2025-420x336.png",336,"https://api.emic-paris.com/app/uploads/2026/03/SNEP2025-960x768.png",[1327],{"id":221,"name":975,"taxonomy":1300,"url":1301},15354,{"title":1330,"date":1331,"url":1332,"image":1333,"categories":1351,"id":1361},"2026 : l'EMIC réaffirme sa mission","2026-01-07","https://emic-paris.com/actualites/2026-lemic-reaffirme-sa-mission/",{"ID":1334,"title":1335,"filename":1336,"url":1337,"alt":1338,"author":65,"description":47,"caption":47,"name":1339,"date":1340,"modified":1341,"mime_type":1223,"type":745,"icon":746,"width":1342,"height":1343,"sizes":1344},14068,"PanoramaICC2025","PanoramaICC2025.png","https://api.emic-paris.com/app/uploads/2026/01/PanoramaICC2025.png","Panorama ICC 2025","panoramaicc2025","2026-01-06 14:23:23","2026-01-06 14:23:31",769,442,{"thumbnail":1345,"thumbnail-width":751,"thumbnail-height":751,"medium":1346,"medium-width":753,"medium-height":1347,"medium_large":1337,"medium_large-width":756,"medium_large-height":1348,"large":1337,"large-width":1342,"large-height":1343,"sample":1349,"sample-width":759,"sample-height":1350,"default":1337,"default-width":1342,"default-height":1343,"fullwidth":1337,"fullwidth-width":1342,"fullwidth-height":1343},"https://api.emic-paris.com/app/uploads/2026/01/PanoramaICC2025-150x150.png","https://api.emic-paris.com/app/uploads/2026/01/PanoramaICC2025-300x172.png",172,441,"https://api.emic-paris.com/app/uploads/2026/01/PanoramaICC2025-420x241.png",241,[1352,1354,1357,1360],{"id":209,"name":1130,"taxonomy":1300,"url":1353},"https://emic-paris.com/actualites/category/audiovisuel/",{"id":195,"name":1355,"taxonomy":1300,"url":1356},"EMIC","https://emic-paris.com/actualites/category/emic/",{"id":234,"name":1358,"taxonomy":1300,"url":1359},"Live","https://emic-paris.com/actualites/category/live/",{"id":221,"name":975,"taxonomy":1300,"url":1301},14067,{"title":1363,"date":1364,"url":1365,"image":1366,"categories":1389,"id":1392},"UMAN x EMIC","2025-10-21","https://emic-paris.com/actualites/uman-x-emic/",{"ID":1367,"title":1368,"filename":1369,"url":1370,"alt":1368,"author":65,"description":47,"caption":47,"name":1371,"date":1372,"modified":1373,"mime_type":744,"type":745,"icon":746,"width":1374,"height":1038,"sizes":1375},13416,"UMAN MaMA","UMAN-MaMA.jpg","https://api.emic-paris.com/app/uploads/2025/10/UMAN-MaMA-scaled.jpg","uman-mama","2025-10-21 08:41:46","2025-10-21 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